A great instructor is always thinking and learning about new ideas and concepts, and is always looking for new ways to impart those ideas to their students. The minute one stops learning, one stops growing - and can become stagnant.
"Imagine hanging a wet towel over your horse's back. The pressure of your leg aids needs to be similar to the pressure of the towel on the sides of your horse. Your horse should go on his own with this passive leg aid, and if he does not, you need to give him a firmer reminding aid." ~ Steffen Peters
"The key to successful half halts is, first, to have a very clear idea of what you want to achieve: Do you want your half halt to create more balance? More collection? More flexion? Self-carriage? Roundness? Second, you need to recognize--with listening aids--when your horse responds correctly so you can soften or give at the right moment. During your softening moment within the circle of aids, your whole body rewards the horse and tells him, 'That's what I wanted.' The horse feels this instantly. The quicker you notice your horse's positive response, the better trainer you are." ~ Oded Shimoni
It is perfectlynormalto feel nervous at times, but you DO have the ability to control and redirect your thoughts. Like anything else, it is a skill that you have to work at.
"Usually, the half halt should be invisible to the eye--not only because it looks good, but also because it doesn't disturb the rhythm and flow of the horse's movement." ~ Oded Shimoni
If you don't train for self carriage at the gallop, and instead attempt to hold your horse with a strong contact the whole time while on course, you will probably get really tired by the end of a long course, and your horse's mouth will become more and more "dead", and less and less responsive.
"For a horse to be in balance, it has to be relaxed which is why it must not be compressed. To cease the aids does not mean to leave the horse on its own but to keep the contact while doing as little as possible." - Nuno Oliveira
Remember that what you do habitually will feel normal to you, whether it is right or wrong. This is why riders at all levels need good eyes on the ground.
Trainers, and farriers… these are two very important people that will make or break your experience in the horse world. The right trainer is the key to your success with riding, and the right farrier is key to your horse's soundness.
"May every rider strive for a better connection with his or her horse by observation, closer understanding and patient groundwork. It matters not what discipline is pursued, only that there be a perfectly balanced union between the two – man and horse – so that the two become one." ~ Frederic Pinon
"The horse has to learn to look after himself, otherwise I might as well get off and just chuck him over. And I’m not that strong. I don’t go to the gym." ~ elite show jumper Ben Maher
"Riders tend to lean back and pull on horses who are rushing, which makes a bad situation worse. When you pull back against your horse, he will usually invert, drop his back and lean against your hand. Once he is in this shape, no bit in the world will solve your problem." ~ Jimmy Wofford
"The much more important things to me are the walk and the canter. They’re the two things you can’t change. With the trot, by teaching the horse to have more suspension, you can change the trot. I never worry about how bad the horse trots. I know with my training, I can make it look spectacular. Even a really ugly horse, you can make it look really special. Don’t worry if you have an ugly horse." ~ Charlotte Dujardin
"The most important point is the character. If they are not willing to work with you, then they can have the best quality in the world, but it won’t work. If you go to the Olympic Games, you can see fifty horses that are qualified, all these fifty horses can do the Grand Prix, but the winner is the one who does it at the moment he is asked to do it. He wins with his talent, but he also wins with his brain – this is so very important, the way you live with your horses every day, that you have the horses on your side. Horses must be happy horses, they have to be willing to work for you, you cannot make them work. That’s why in your daily work you must think hard about your horse – how is he feeling? Is he happy? He has to be obedient, but he cannot be squashed, you have to leave him with his personality. Sometimes horses with not such good qualities, they can win if they want to do the job." ~ Jean Bemelmans
Transitions act as a test of your connection. If the quality of your connection is lacking as you begin a transition, it will be particularly evident as you execute it.
You will get the highest level of brilliance from your horse by letting them have as much freedom as possible. Show them what is required, and then leave them to perform as much as possible on their own.
With young or untrained horses who conformationally have a high set on neck (which is a good trait to have for a jumping or Dressage horse), you have to be particularly careful that you don’t work them in a frame that is too advanced for their strength level. It takes enormous strength in the horse’s lumbar back to carry a rider in a higher frame for any length of time. Ride for too long in a higher frame, and they will get sore in their lumbar back, and often resentful.
"Just as the sculptor at first chisels the future outlines of his work of art with powerful blows out of the crude block of stone, and then lets it develop in increasingly finer detail in all its beauty, the aids of the rider must also become more and more delicate in the course of the horse's education. Every rider should always keep this strictly in mind and especially avoid destroying with crude aids, out of impatience or other reasons, what he has built in his previous work." ~ Alois Podhajsky
A real collected trot should feel like a contained medium trot. Not just slower, with shorter strides - but with enough stored energy and contained power that you feel that all you have to do to get medium trot is release it. And the same for collected canter.
"Riders are very often but mistakenly glad to see their horse arch his neck, regardless of how it is arched (whether too high or too low or behind the bit or stiff). Have you ever seen a horse with an arched but stiff neck, looking as though he were nailed to the bit ? That kind or arch does not imply a horse on the bit." ~ Charles de Kunffy
For those of you with horses that want to "run" into the canter when working on walk to canter transitions (accelerating and taking a trot step or two before picking up the canter), think "halt" as you are applying your aid to canter from the walk.
When the rider attempts to give the horse "support", it doesn't help a horse learn to balance. Instead it gives them something to lean on, and actually USE for balance. Correct and soften, and your horse will learn to balance itself without relying on you to hold them up.
Always keep in mind that you do not necessarily need to slow down to rebalance your horse between fences when jumping. A horse can be balanced at just about any speed. You can also change the shape of the canter stride without changing the speed. And most importantly, the rhythm.
"One can never, I believe, strive for a lack of criticism in riding – because I don’t think that there is such a thing as perfect riding. I don’t think anybody’s performance is beyond some sort of criticism." ~ Tad Coffin
"One of my favorite exercises is three strides of shoulder-in, three strides of half-pass and back again using very small aids. Also helps to do transitions within this exercise." ~ Mistie Cantie
"You cannot get a quality jump with a bad approach – and the quality of your approach comes back to the way you work your horse on the flat. If you get a quality jump from a bad approach then you are a very lucky rider." ~ Andrew Hoy
"Since the criteria of a correct seat are the same as the criteria of good posture in general, being constantly attentive to one’s bearing when standing or walking is excellent training. A correct vertical posture of the head and the trunk on horseback is not a special posture applicable only to riding." ~ Kurt Albrecht
"You should recognize that your equine partner has an eye of its own when jumping and allow a good horse to have some role in the decision making process." ~ Frank Chapot
"Contact doesn't only refer to the hands, reins, and bit, but to the whole rider. A rider must give the horse contact through his entire seat. This means that his legs must lay gently against the horse's body, his seat must be balanced and supple, and his arms and hands must follow the horse's movement quietly and evenly. This create a smooth cycle of movement as the horse takes the rider with him. Only this then creates contact." ~ Klaus Balkenhol
"It’s important that the rider doesn’t disturb the horse – leaning this way or that – and that is the same with this pulling and pushing. You give a half halt, but half halt is not just pull back and then let go. First of all you have to push the horse into your contact, and while you do a half halt, the horse should not get tighter in the neck and not get slower in the hind legs. Actually we want to engage the hind legs. It’s something you have to work on all the time, and get to feel it. When you tell the rider, now this, now that, you are already too late. You have to practice this, so that the riders get to feel it themselves." ~ Monica Theodorescu
"It takes ten years learning how to sit on a horse without getting in his way. It takes another ten years learning how to influence the horse, and then a further ten years learning how to influence him without getting in his way!" ~ Unknown
