The balance and design of the saddle that you are using will make or break you as a rider that is striving to improve! Once you have become very confident and quite solid in all your skills, you can probably ride well in just about any saddle. But when you are trying to find your balance, trying to learn new skills, and trying to grow into a really solid rider you NEED the saddle that is exactly right for your conformation and what are trying to achieve.
Big horses very often need to learn how to do a shorter, more active canter for the show jumping ring. Make sure you have achieved this before you start cantering courses!
"A significant portion of the art of dressage lies in your ability to differentiate between the positive tension of focused athletic effort, and the negative tension of resistance, fear, and anxiety." ~ Katherine Bateson Chandler
"Riding cross country is against the clock, but this doesn’t mean that you have to go fast. It means that you have to take good lines. Every extra ten feet, or three and a half metres that you travel, costs you one second. So if you can save half a metre on the approach and half a metre on the landing, and there are thirty jumps on the course, you come in half a minute quicker than someone else." ~ Andrew Hoy
"Re-schooling a horse with vices and sending it back to its owner is not enough. The vices will return with unguided riding. Only by retraining both horse and rider can the problem be solved." ~ Firn Hyde
"Is the rider able to ride all the movements with a long rein, long with contact, then as long as possible? It is possible to ride piaffe on a long rein when the rider rides 100% with a balanced body, and the horse is on his aids." ~ Christoph Hess
"Jumpers in Europe use a lot of dressage these days in order to maintain balance and rhythm around technical courses. They need instant reaction to have a hope of doing well." ~ Stephen Clarke
"When the horse is straight, he is in the position of shoulder-fore. Shoulder-fore position is when the horse’s outside hind leg tracks directly behind the outside front leg and the inside hind leg tracks between the two front legs. The horse’s inside hind leg is narrowed stepping toward his center of gravity and can then be in a position to carry the horse’s and rider’s weight." ~ Kathy Connelly
"The inside leg to the outside rein is ancient history. One of my friends is very interested in ballet, and he said to me last year, George, it is opposition in the dance that creates balance." ~ George Morris
Just because you can't see your grass growing doesn't mean it's not, and the same can be said of your progress as a rider. Much of the time it is not noticeable until you stop and look back at where you came from.
"Keep your thumbs together so you know where your hands are. Your elbows loose and more elastic by your side. Stand in your stirrups, stretch down and think about your lower leg being there all the time. Toes out a little, stretch your heel down." ~ Chris Burton
It is possible to have contact without a real connection (in fact, it is quite common unfortunately), but a true connection always involves good contact. The connection involves the horse's entire body… with energy created in the horse's hind legs traveling through the horse's supple body, and into the rider's softly receiving hands.
"I teach riders to adjust their reins within three strides on level ground (after a drop), and I want them seated between elements of a combination. This will give the rider more stability plus a wider and more sophisticated range of aids." ~ Jimmy Wofford
With many horses, it can be helpful to take a deep breath and exhale in a sigh as you begin the walk portion of your Dressage test. This can help to dissolve any tension that the horse may be holding, that might otherwise make for a "jig" step, or an accidental transition into trot.
The outside rein is the key rein in downward transitions and half halts that are used to rebalance the horse. Many riders are well aware of this for Dressage and Jumping. But not everyone realizes that this is even true when you are galloping in a straight line!
Which rein is the outside rein when you are galloping in a straight line? It is relative to the canter lead. If you are on the right lead, the left rein is your outside rein. And if you are on the left lead, it is your right rein.
I hate to hear instructors who just yell, "Push, push, push!" to the riders on lazy horses who need more energy in their gait. To me, this shows a huge lack of experience on the trainer’s part - as this is NOT a productive way to produce forward in a horse, and only makes them more and more dead to the rider’s aids.
"There is one test that has the advantage over all the others, in that it can accompany the horse throughout his entire development… Showing the horse the way towards the ground. It is important that before the rider makes any attempt to perform the exercise, he makes sure that the horse is moving forward with impulsion at the selected pace, in good rhythm and contact with the bit. Then, while maintaining the forward driving aids, the rider should begin by giving slightly with the outside rein by moving the hand forward. As the horse responds by stretching his neck downwards and seeking the bit, the rider should offer the inside rein and again the horse should search to maintain the contact. The rider can then begin to lengthen the reins slightly by allowing them to slip through the fingers. Providing the horse is still being driven correctly from behind he will maintain the contact as he chews the bit towards the ground." ~ Christian Thiess
If you don’t ride and train in such a way that your horse learns to listen to your seat, you will usually find that you have to use a lot more hand to get things done.
"I cannot over emphasize that the rider must keep a soft contact with the horse’s mouth throughout the exercise [stretching down] and never just throw the reins away!" ~ Christian Thiess
"Essential to collection as well is the complete lack of resistances, as well as the maintenance of superior impulsion, and absolute submission." ~ Nuno Olivera
The purpose of transitions is not just to get from one gait to the next. But to do so in a way that further gymnasticizes the horse, and improves his carriage.
"We get the horses as loose as possible before we ask them to do more work in their bodies. if they're not loose in the beginning, they’re not going to be loose and supple in their proper work." ~ Charlotte Dujardin
"The better the rider’s balance in the saddle, the better the communication. There are two things the rider must be – balanced, and supple. The less good the rider’s seat, then the more often the rider is in the saddlery shop buying new saddles, new stirrups. The rider has to find his balance in the saddle, not being held in position by a saddle in which you cannot move." ~ Christoph Hess
Lateral work can be used to steady and improve the regularity of the rhythm of your horse’s gaits. Particularly with horses that want to rush and/or become irregular, asking for a little shoulder in, leg yield, or a few steps of spiral in or out, can help them wait and find more cadence in their stride.
"For me quality dressage, not the forced dressage, not where you pull the horse or force the horse to do something, dressage is a dance – you can dance through a test with little aids." ~ Ingrid Klimke
"Give the horse the feeling of freedom when you sit on it, always the feeling that it can move forward. Most riders all over the world use their hands to try and control their horse, the neck starts to shorten and then it all starts to go wrong." ~ Christoph Hess
While a thicker mouthpiece is generally considered to be more gentle than a thinner bit, the horse with a small mouth or a low palate often prefers a thinner bit.
When softening the reins, it is common for riders to mistakenly and unconsciously lean forward at the same time. Avoid this problem by thinking about pushing yourself away from your hands as you give the reins.
"I like to describe riding a course as riding a line at a certain pace, and the jumps are just like speed bumps on your journey. Whereas some riders ride the jumps as their objective. They ride one jump, then look up, and ride the next, and the next. I try to teach riders to ride a line with good balance and the correct pace, and that is their primary objective, and the jumps are their secondary objective." ~ George Sanna
Since the various available lateral movements all work to supple the horse's body in a slightly different way, it is a good idea to use bits of all of them in your training. Don't just do your favorites.
"The horse always tries to run away, that is part of his nature. When the rider uses the bit to stop the horse, that is the rider’s first wrong move. We must always give the horse an open door. When we hold the horse with our hands we take the horse out of its mental and physical balance, and that is the beginning of disharmony between horse and rider." ~ Christoph Hess
"The goal of all dressage riding should be to bring the horse and rider together in harmony...a oneness of balance, purpose, and athletic expression." ~ Walter Zettl
"We want the horse to know, if he gets into difficulties, if he slips, he can just take time with things, so they learn to get themselves out of trouble. If a horse has slipped badly or hit a jump badly, just keep hold of the front end, keep hold of the reins, just sit quiet and try and support the horse. Let the horse find his feet, try and slow the whole thing down." ~ Andrew Hoy
"I really believe that horses are very generous and they are on our side. They can also become frightened, so it is important that we don’t ask them anything beyond their capabilities. You can keep them on your side by being quiet with them. They have to be believers in you, and understand what you are asking. I think that we as riders get too aggressive when something doesn’t happen the way we want. You have to remember that the experiences the horses have, especially if they are bad, aren’t forgotten easily. It takes a long time to work through those bad experiences." ~ Andrew Hoy
"We must be careful when making the horse straight not to bend it in front of the withers. We must not loosen the muscles in front of the withers for we need to build them up on either side of the neck so it is steady in front of the withers." ~ Reiner Klimke
"Riding courses is still all about finding the canter. Every jump in every situation has a canter that is perfect for that jump. Whether it is a very flimsy looking stile, or very strong looking oxer, off a short turn, away from the entrance gate into a double… With the oxer to the double you are really under the pump to get in there nice and strong and get the horse in front of your legs – as opposed to the very delicate stile they can look through, going downhill, towards the gate, where you’ve got to take all the ground speed away from them and sit up and give them an opportunity to read it and stay off the front rail." ~ George Sanna
