So our balance seems to be getting better because Ranger no longer feels the need to run into our departures. We can’t quite get one from a walk, but we can from a very slow jog. Now we are working on keeping consistent contact through them. To the left he actually is doing a lot better, but to the right, he uses his head and neck for leverage to pick his front end up when he makes the transition. Most of the time, he is really good and consistent with the contact up until that step off into the canter, so I can’t really abort the transition. Any advice? (Kayla)
Hi Kayla!
Glad to hear that things are improving, and your horse no longer runs into the canter! That kind of progress is always rewarding, isn't it?? When horses try to hollow in upward transitions, it is usually because... (Click on Question Title above to read full answer)
"Riders tend to lean back and pull on horses who are rushing, which makes a bad situation worse. When you pull back against your horse, he will usually invert, drop his back and lean against your hand. Once he is in this shape, no bit in the world will solve your problem." ~ Jimmy Wofford
"The much more important things to me are the walk and the canter. They’re the two things you can’t change. With the trot, by teaching the horse to have more suspension, you can change the trot. I never worry about how bad the horse trots. I know with my training, I can make it look spectacular. Even a really ugly horse, you can make it look really special. Don’t worry if you have an ugly horse." ~ Charlotte Dujardin
"The most important point is the character. If they are not willing to work with you, then they can have the best quality in the world, but it won’t work. If you go to the Olympic Games, you can see fifty horses that are qualified, all these fifty horses can do the Grand Prix, but the winner is the one who does it at the moment he is asked to do it. He wins with his talent, but he also wins with his brain – this is so very important, the way you live with your horses every day, that you have the horses on your side. Horses must be happy horses, they have to be willing to work for you, you cannot make them work. That’s why in your daily work you must think hard about your horse – how is he feeling? Is he happy? He has to be obedient, but he cannot be squashed, you have to leave him with his personality. Sometimes horses with not such good qualities, they can win if they want to do the job." ~ Jean Bemelmans
Transitions act as a test of your connection. If the quality of your connection is lacking as you begin a transition, it will be particularly evident as you execute it.
You will get the highest level of brilliance from your horse by letting them have as much freedom as possible. Show them what is required, and then leave them to perform as much as possible on their own.
"The goal of all dressage riding should be to bring the horse and rider together in harmony... a oneness of balance, purpose, and athletic expression." ~ Walter Zettl
With young or untrained horses who conformationally have a high set on neck (which is a good trait to have for a jumping or Dressage horse), you have to be particularly careful that you don’t work them in a frame that is too advanced for their strength level. It takes enormous strength in the horse’s lumbar back to carry a rider in a higher frame for any length of time. Ride for too long in a higher frame, and they will get sore in their lumbar back, and often resentful.
"Just as the sculptor at first chisels the future outlines of his work of art with powerful blows out of the crude block of stone, and then lets it develop in increasingly finer detail in all its beauty, the aids of the rider must also become more and more delicate in the course of the horse's education. Every rider should always keep this strictly in mind and especially avoid destroying with crude aids, out of impatience or other reasons, what he has built in his previous work." ~ Alois Podhajsky
A real collected trot should feel like a contained medium trot. Not just slower, with shorter strides - but with enough stored energy and contained power that you feel that all you have to do to get medium trot is release it. And the same for collected canter.
Raise your hand if you get nervous before horse shows!
If you are like many riders, the act of performing in front of others will make you at least somewhat nervous, whether you realize it or not! Don't despair... there IS something you can do to help you deal with this uncomfortable feeling when it happens! Read on to find out what it is! (Click on Article Title above to read full article)
"Riders are very often but mistakenly glad to see their horse arch his neck, regardless of how it is arched (whether too high or too low or behind the bit or stiff). Have you ever seen a horse with an arched but stiff neck, looking as though he were nailed to the bit ? That kind or arch does not imply a horse on the bit." ~ Charles de Kunffy
For those of you with horses that want to "run" into the canter when working on walk to canter transitions (accelerating and taking a trot step or two before picking up the canter), think "halt" as you are applying your aid to canter from the walk.
When the rider attempts to give the horse "support", it doesn't help a horse learn to balance. Instead it gives them something to lean on, and actually USE for balance. Correct and soften, and your horse will learn to balance itself without relying on you to hold them up.
Always keep in mind that you do not necessarily need to slow down to rebalance your horse between fences when jumping. A horse can be balanced at just about any speed. You can also change the shape of the canter stride without changing the speed. And most importantly, the rhythm.
"One can never, I believe, strive for a lack of criticism in riding – because I don’t think that there is such a thing as perfect riding. I don’t think anybody’s performance is beyond some sort of criticism." ~ Tad Coffin
"One of my favorite exercises is three strides of shoulder-in, three strides of half-pass and back again using very small aids. Also helps to do transitions within this exercise." ~ Mistie Cantie
"You cannot get a quality jump with a bad approach – and the quality of your approach comes back to the way you work your horse on the flat. If you get a quality jump from a bad approach then you are a very lucky rider." ~ Andrew Hoy
Despite the best of intentions, many riders have a hard time maintaining the correct hand position when riding. This is often because we have so many different things to think about!
It is one thing to maintain a perfect hand position at the halt, or when riding on loose reins. But when trying to give your horse the aids for various movements, dealing with any imperfections of the connection, or just focusing on another part of your anatomy for just a moment, it is common for the hands to go astray! Here is a highly effective exercise, that will fix any hand position flaw that you may have! (Click on Article Title above to read full entry)
"Since the criteria of a correct seat are the same as the criteria of good posture in general, being constantly attentive to one’s bearing when standing or walking is excellent training. A correct vertical posture of the head and the trunk on horseback is not a special posture applicable only to riding." ~ Kurt Albrecht
"You should recognize that your equine partner has an eye of its own when jumping and allow a good horse to have some role in the decision making process." ~ Frank Chapot
"Contact doesn't only refer to the hands, reins, and bit, but to the whole rider. A rider must give the horse contact through his entire seat. This means that his legs must lay gently against the horse's body, his seat must be balanced and supple, and his arms and hands must follow the horse's movement quietly and evenly. This create a smooth cycle of movement as the horse takes the rider with him. Only this then creates contact." ~ Klaus Balkenhol
If your personal bubble is sufficiently opaque, if after your test ride you go right back to the barn and feed carrots till the rest of the class is over, the following probably doesn’t apply to you. If you watch other rides and score them in your head comparing them to your own, then you may have once or twice mumbled to yourself, “I didn’t have any mistakes in my test. She made a couple of big ones, but she still beat me!” The implication, of course, is how unfair that is. (Click on Blog Title above to read full entry)
"It’s important that the rider doesn’t disturb the horse – leaning this way or that – and that is the same with this pulling and pushing. You give a half halt, but half halt is not just pull back and then let go. First of all you have to push the horse into your contact, and while you do a half halt, the horse should not get tighter in the neck and not get slower in the hind legs. Actually we want to engage the hind legs. It’s something you have to work on all the time, and get to feel it. When you tell the rider, now this, now that, you are already too late. You have to practice this, so that the riders get to feel it themselves." ~ Monica Theodorescu
"It takes ten years learning how to sit on a horse without getting in his way. It takes another ten years learning how to influence the horse, and then a further ten years learning how to influence him without getting in his way!" ~ Unknown
When doing a turn on the haunches or a pirouette, the rider must keep their weight centered over the horse, with an engaged inside seat bone. I see far too many riders (at all levels) letting their weight fall to the outside, which is a hindrance to their horse in those movements. Every step or two within the movement, think of sitting over and engaging your inside seat bone.
For a horse to be really good at jumping out of a deep distance, they need to have an understanding of how to shorten their stride without losing any hind leg engagement. This is why it is SO important that you do NOT pull on the reins when you feel you are meeting the fence on a tight distance. Encourage them to wait with your body, but keep your leg on rather than pulling, which only stops or stiffens the horse’s hind legs.
Think of your brain as a densely wooded area with paths running through it. Whenever you are trying to learn how to do something new, you have to blaze new pathways in your brain.
Not unlike the cicadas hatching out, every four years we are treated to a new set of dressage tests to complain about, habituate ourselves to, and then act like they’ve been this way forever. With some cycles there are big changes, but if the older ones were generally satisfactory, the rewrites are small. This year’s versions generally fall into the latter category. Some tests are virtually unchanged. Others are modified in such minor ways that they are likely just to keep the judges’ whistles busy calling people off course.
Let’s start at the beginning. Rest easy—the patterns of the new Introductory tests are identical to the old ones. (Click on Blog Title above to read full entry)
Any excessive closing of knees or thighs takes the rider's lower leg off of the horse. I feel it is more correct to wrap the entire leg around the horse for half halts and downward transitions - as if giving the horse a hug with your legs. This encourages the horse to keep the hind legs stepping under in the downward transition, and invites the horse to keep their back up as well. A tight upper leg will stop the horse, but it will tend to make them stiffen their back and stop their hind legs - almost as much as pulling on the reins.
